{"id":435,"date":"2021-05-03T12:03:22","date_gmt":"2021-05-03T09:03:22","guid":{"rendered":"https:\/\/rigasfotomenesis.lv\/?post_type=event&p=435"},"modified":"2021-05-31T21:36:02","modified_gmt":"2021-05-31T18:36:02","slug":"fotografi-katastrofu-laikmeta","status":"publish","type":"event","link":"https:\/\/rigasfotomenesis.lv\/2021\/lv\/events\/fotografi-katastrofu-laikmeta\/","title":{"rendered":"Fotogr\u0101fi katastrofu laikmet\u0101"},"content":{"rendered":"\n

Diskusija ar Tanvi Mi\u0161ru (Tanvi Mishra, Caravan Magazine<\/em>, Indija), Ninu Bermanu (Nina Berman, Noor Images<\/em>, ASV) un Mohamedu Z\u0101nonu (Mohammed Zaanoun, Activestills collective<\/em>, Gaza). Sarunu moder\u0113s Karol\u012bna Gembara (Karolina Gembara, Archive of Public Protests<\/em>, Polija).<\/p>\n\n\n\n

“\u0160is ir kar\u0161, kuru m\u0113s nepaz\u012bstam,” sac\u012bja politisk\u0101 rakstniece Anne Aplbauma, raksturojot Krievijas paramilit\u0101r\u0101s darb\u012bbas Austrumukrain\u0101 2014. gad\u0101. \u0160is kar\u0161 bija l\u0113ns, mask\u0113ts, nospiedo\u0161s, bez iespaid\u012bg\u0101m darb\u012bb\u0101m un \u0101tr\u0101m uzvar\u0101m, gandr\u012bz neredzams, gandr\u012bz nedzirdams, bet neatlaid\u012bgs un m\u0101n\u012bgs. Tas bija kaut kas, par ko mums j\u0101m\u0101c\u0101s un tas j\u0101atz\u012bst, vi\u0146a piebilda.<\/p>\n\n\n\n

2021. gad\u0101 \u0161o aprakstu var izmantot, atsaucoties uz daudz\u0101m pasaules probl\u0113m\u0101m. Da\u017eas katastrofas notiek p\u0113k\u0161\u0146i, bet citas velkas un sl\u0113pjas: gal\u0113ji lab\u0113jo sp\u0113ku pieaugums, demokr\u0101tiju likvid\u0113\u0161ana, viltus zi\u0146as, klimata p\u0101rmai\u0146as. T\u0101s ir tik vecas, aizmirstas un normaliz\u0113tas katastrofas, ka neviens vairs negrib par t\u0101m dzird\u0113t.<\/p>\n\n\n\n

Fotogr\u0101fi jau kop\u0161 medija izgudro\u0161anas vienm\u0113r biju\u0161i kl\u0101teso\u0161i k\u0101 liecinieki. Tom\u0113r vi\u0146u loma main\u0101s, t\u0101pat k\u0101 att\u012bst\u0101s katastrofu veidi. Lai ar\u012b notikumu fiks\u0113\u0161anai vienm\u0113r b\u016bs iz\u0161\u0137iro\u0161a noz\u012bme, tom\u0113r ar\u012b fotogr\u0101fiem ir j\u0101piel\u0101gojas, atpaz\u012bstot taktikas un telpas, izmantojot att\u0113lus, att\u0113lojot, esot kl\u0101t kopien\u0101m, nevis t\u0101s tikai fotograf\u0113jot. M\u016bsdien\u0101s vizu\u0101lie m\u0101kslinieki dokument\u0113 protestus un post-\u017eurn\u0101listikas fotogr\u0101fi veido m\u0101kslas gr\u0101matas, da\u017ei r\u012bko fotograf\u0113\u0161anas darbn\u012bcas b\u0113rniem konfliktu plos\u012btos rajonos. Bet vai m\u0113s varam teikt, ka fotogr\u0101fi ir pie\u0146\u0113mu\u0161i soci\u0101lo un \u0113tisko pav\u0113rsienu?<\/p>\n\n\n\n

Diskusijas laik\u0101 m\u0113s apl\u016bkosim da\u017e\u0101du vizu\u0101lo prak\u0161u b\u016bt\u012bbu ikdienas katastrofu kontekst\u0101. Atceroties D\u017eo Spensa v\u0101rdus par to, ka fotogr\u0101fi vienm\u0113r tiek iegremd\u0113ti politik\u0101, m\u0113s p\u0101rdom\u0101sim vi\u0146u main\u012bgo lomu m\u016bsdienu pasaul\u0113.<\/p>\n\n\n

\n
\n
\n
\n \n \"\"\n <\/a>\n
Alicja Le\u0161aka<\/figcaption>\n <\/figure>\n <\/div>\n
\n
\n \n \"\"\n <\/a>\n
D\u0101vids Ze\u013cinskis<\/figcaption>\n <\/figure>\n <\/div>\n
\n
\n \n \"\"\n <\/a>\n
Mihalina Ku\u010di\u0146ska<\/figcaption>\n <\/figure>\n <\/div>\n
\n
\n \n \"\"\n <\/a>\n
Luka\u0161s Glovala<\/figcaption>\n <\/figure>\n <\/div>\n
\n
\n \n \"\"\n <\/a>\n
Rafals Milahs<\/figcaption>\n <\/figure>\n <\/div>\n
\n
\n \n \"\"\n <\/a>\n
Kriss N\u012bdent\u0101ls<\/figcaption>\n <\/figure>\n <\/div>\n
\n
\n \n \"\"\n <\/a>\n
Joanna Mu\u0161ala<\/figcaption>\n <\/figure>\n <\/div>\n <\/div>\n
<\/div>\n
<\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Tanvi Mi\u0161ra<\/figcaption><\/figure><\/div>\n\n\n\n

Tanvi Mi\u0161ra ir fotoredaktore, kuratore un rakstniece no Deli. Vi\u0146as intere\u0161u lok\u0101 ir reprezent\u0101cijas politika fotogr\u0101fijas medij\u0101 un t\u0101 ietekme uz Dienvid\u0101zijas v\u0113sturi un narat\u012bviem, k\u0101 ar\u012b fantastikas j\u0113dziens fotogr\u0101fij\u0101, it \u012bpa\u0161i pa\u0161reiz\u0113j\u0101 politiskaj\u0101 ainav\u0101. \u0160obr\u012bd Mi\u0161ra str\u0101d\u0101 k\u0101 Deli izdot\u0101 politikas un kult\u016bras \u017eurn\u0101la The Caravan<\/em> rado\u0161\u0101 direktore. Vi\u0146a str\u0101d\u0101jusi Hindu Photojournalism Awards 2019 <\/em>\u017e\u016brij\u0101, World Press Photo\u2019s Joop Swart<\/em> Masterclass<\/em> atlases komisij\u0101 un bijusi Greenpeace Photo Award 2018<\/em> kuratore. Vi\u0146a ir ar\u012b 2019. gada Women Photograph<\/em> programmas mentore.<\/p>\n\n\n\n

\"\"
Nina Bermane<\/figcaption><\/figure><\/div>\n\n\n\n

Nina Bermane ir dokument\u0101l\u0101 fotogr\u0101fe, filmu veidot\u0101ja, autore un pedago\u0123e no ASV. Vi\u0146as pla\u0161\u0101 spektra darbi velt\u012bti t\u0101d\u0101m t\u0113m\u0101m k\u0101 Amerikas politika, milit\u0101risms, p\u0113c-vardarb\u012bbas traumas un pretest\u012bba. Vi\u0146as fotogr\u0101fijas un videoklipi ir izst\u0101d\u012bti vair\u0101k nek\u0101 100 viet\u0101s – no Za’atari b\u0113g\u013cu nometnes dro\u0161\u012bbas sien\u0101m l\u012bdz Vitnijas Amerik\u0101\u0146u m\u0101kslas muzejam. Bermane ir fotogr\u0101fijas un filmu kolekt\u012bva NOOR Images<\/em> biedre un profesore Kolumbijas Universit\u0101tes \u017durn\u0101listikas augstskol\u0101, kur vada fotogr\u0101fijas programmu.<\/p>\n\n\n\n

Mohameds Z\u0101nons ir fotogr\u0101fs, kas dz\u012bvo Gazas pils\u0113t\u0101, un Activestills<\/em> kolekt\u012bva loceklis kop\u0161 2018. gada. Vi\u0146\u0161 ir str\u0101d\u0101jis da\u017e\u0101d\u0101s mediju a\u0123ent\u016br\u0101s, tostarp Maan News<\/em> un Nur Photo Agency<\/em>, un sadarbojies ar t\u0101d\u0101m NVO k\u0101 Medecins Sans Fronti\u00e8res<\/em>. 2012. gad\u0101 vi\u0146\u0161 vad\u012bja mediju darbn\u012bcu Z\u0101tari b\u0113g\u013cu nometn\u0113 Jord\u0101nij\u0101. <\/p>\n\n\n\n

\"\"
Karol\u012bna Gembara<\/figcaption><\/figure><\/div>\n\n\n\n

Karol\u012bna Gembara ir po\u013cu fotogr\u0101fe un p\u0113tniece. Vi\u0146as darbi saist\u012bti ar m\u0101j\u0101m, pieder\u012bbu, migr\u0101ciju, valsts un identit\u0101tes mai\u0146u. P\u0113d\u0113j\u0101 laik\u0101 vi\u0146a ir fokus\u0113jusies uz politisko situ\u0101ciju sav\u0101 valst\u012b. Vi\u0146u interes\u0113 izmantot fotogr\u0101fiju k\u0101 instrumentu, ieganstu sadarb\u012bbai un procesu rad\u012b\u0161anai. 2013. gad\u0101 vi\u0146a izdeva savu pirmo gr\u0101matu Fitting Rooms<\/em>, kas atspogu\u013co sievie\u0161u lomu vi\u0146as paaudz\u0113. P\u0113d\u0113jo tr\u012bs gadu laik\u0101 vi\u0146a ir realiz\u0113jusi vair\u0101kus l\u012bdzdal\u012bbas projektus ar b\u0113g\u013ciem un migrantiem. Gembara sadarbojas ar Archive of<\/em> Public Protest<\/em> \u2013 arh\u012bva fotogr\u0101fi dokument\u0113 politisko spriedzi Polij\u0101. Vi\u0146a ir ar\u012b Sputnik Photos<\/em> dal\u012bbniece un mentoringa programmas pasniedz\u0113ja.<\/p>\n\n\n

<\/p>