{"id":403,"date":"2021-04-25T11:43:05","date_gmt":"2021-04-25T08:43:05","guid":{"rendered":"https:\/\/rigasfotomenesis.lv\/?post_type=event&p=403"},"modified":"2021-07-12T12:20:27","modified_gmt":"2021-07-12T09:20:27","slug":"dzive-pec-covid","status":"publish","type":"event","link":"https:\/\/rigasfotomenesis.lv\/2021\/lv\/events\/dzive-pec-covid\/","title":{"rendered":"Izst\u0101de publiskaj\u0101 telp\u0101 – Dz\u012bve p\u0113c Covid<\/em>?"},"content":{"rendered":"\n

Avotu ielas garum\u0101, s\u0101kot no L\u0101pl\u0113\u0161a st\u016bra l\u012bdz pat J.Asara ielai, norisin\u0101s izst\u0101de publiskaj\u0101 telp\u0101 – Dz\u012bve p\u0113c Covid?<\/em> Izst\u0101d\u0113 piedal\u0101s m\u0101kslinieki, kuru darbi tika izv\u0113l\u0113ti R\u012bgas Fotom\u0113ne\u0161a konkurs\u0101, ta\u010du vair\u0101ku autoru darbi tika pievienoti jau tad, kad izst\u0101de bija s\u0101kusies. Darbi atrodas afi\u0161u stendos, rekl\u0101mas stabos, skatlogos, \u0113ku logos un uz sien\u0101m. Atsevi\u0161\u0137i darbi var neb\u016bt pieejami. <\/p>\n\n\n\n

Anja Red\u012b<\/strong> (Lielbrit\u0101nija\/Polija), Br\u012bni\u0161\u0137\u012bg\u0101 jaun\u0101 pasaule<\/em><\/p>\n\n\n\n

Autore pretnostata Rietumu pasaules lokdauna realit\u0101ti un v\u0113sturiskus att\u0113lus no Austrumu bloka ikdienas. Distopisk\u0101s v\u012bzijas \u0161aj\u0101s kol\u0101\u017e\u0101s pau\u017e pla\u0161i izjusto trauksmi par \u0101trumu, k\u0101d\u0101 zaud\u0113jam pilsonisko br\u012bv\u012bbu, un vieglumu, ar k\u0101du pie\u0146emam dz\u012bvi saska\u0146\u0101 ar \u0161iem drakoniskajiem noteikumiem. Vai sp\u0113sim paz\u012bt tir\u0101nisko spoku no dzelzs priek\u0161kara aizmugures, kas izplat\u0101s glu\u017ei k\u0101 v\u012bruss?<\/p>\n\n\n\n

Valdis Putni\u0146\u0161 <\/strong>(Latvija). P\u0113c-Covid pa\u0161portrets<\/em><\/p>\n\n\n\n

\u0160is darbs ir par cilv\u0113ka ment\u0101lo un fizisko st\u0101vokli pand\u0113mijas laikmet\u0101.<\/p>\n\n\n\n

Sj\u016b Po\u013c\u0161ikova<\/strong> (Portug\u0101le\/Krievija). D\u012bgsti<\/em><\/p>\n\n\n\n

Autore p\u0113ta cilv\u0113ku organismu un apk\u0101rt\u0113j\u0101s dabas un dz\u012bvnieku pasaules attiec\u012bbas. Kur ir robe\u017e\u0161\u0137irtne starp harmoniju un patolo\u0123isko ietekmi? Kur\u0161 no kura izaug? Kur\u0161 kuru determin\u0113? Pa\u0161portretu s\u0113rij\u0101 fizisk\u0101 un dabisk\u0101 kombin\u0101cija rada tre\u0161o dimensiju, kaut ko piln\u012bgi jaunu \u2014 Cit\u0101do.<\/p>\n\n\n\n

Kertu Rannula<\/strong> (Igaunija), Atmi\u0146as -70%<\/em><\/p>\n\n\n\n

Instal\u0101cijas piev\u0113r\u0161as ne tikai t\u016brisma un izklaides industrijas neaizsarg\u0101t\u012bbai. T\u0101s ar\u012b ir s\u0101kums jaut\u0101jumam par v\u0113lmi ce\u013cot, b\u0113g\u0161anu no realit\u0101tes jeb eskeipismu un atmi\u0146u kolekcion\u0113\u0161anu. T\u0101 ir autores refleksija par to, k\u0101 m\u0113s ce\u013cojam, ko no t\u0101 sagaid\u0101m un k\u0101 aizb\u0113gt no ikdienas nom\u0101co\u0161aj\u0101m r\u016bp\u0113m, ja doties uz \u0101rzem\u0113m nav iesp\u0113jams.<\/p>\n\n\n\n

Matilda Avd\u017eej\u010dika <\/strong>(Polija), Jauki<\/em><\/p>\n\n\n\n

Fotogr\u0101fiju s\u0113rijas varonis at\u0161\u0137iras no apk\u0101rt\u0113jiem cilv\u0113kiem un vides. Vi\u0146u ieskauj d\u012bvain\u012bbas un vientul\u012bbas neredzam\u0101s l\u012bnijas, vi\u0146\u0161 ilgojas p\u0113c pieder\u012bbas saj\u016btas. Neskatoties uz nepiecie\u0161am\u012bbu visu klasific\u0113t, vi\u0146a identit\u0101ti noteikt ir gr\u016bti. \u0160is atsve\u0161in\u0101tais hibr\u012bds j\u016btas neviet\u0101, vienalga, vai vide ir paz\u012bstama vai piln\u012bgi sve\u0161a.<\/p>\n\n\n\n

Kristija Gri\u0161ina<\/strong> (Krievija), Eiforija<\/em><\/p>\n\n\n\n

Momentfoto k\u013c\u016bst par materi\u0101l\u0101s pasaules artefaktu, ko pret\u0113ju virtu\u0101lajai realit\u0101tei. Autore pieredz\u0113jusi izol\u0101ciju un ierobe\u017eotu komunik\u0101ciju un nov\u0113rojusi, k\u0101 cilv\u0113ki steidz to p\u0101rm\u0113r\u012bgi kompens\u0113t, un tam seko eiforija. Ar uzl\u012bm\u0113m papildin\u0101tie momentuz\u0146\u0113mumi prec\u012bzi atspogu\u013co p\u0101reju no tie\u0161saistes telpas un re\u0101lo pasauli, par\u0101dot ar\u012b dzi\u013c\u0101s pretrunas starp t\u0101m.<\/p>\n\n\n\n

Marija Rukina<\/strong> (Latvija), Viss, kas notiek \u0101rpus\u0113<\/em><\/p>\n\n\n\n

Videodarbs atspogu\u013co m\u016bsu attieksmi un j\u016btas pret to, kas notiek \u0101rpus\u0113, un k\u0101 m\u0113s varam tikt ar to gal\u0101.<\/p>\n\n\n\n

Katr\u012bna \u0122elze<\/strong> (Latvija), M\u012blest\u012bba ir m\u012blest\u012bba<\/em><\/p>\n\n\n\n

\u0160is ir st\u0101sts par LGBTQ+ ties\u012bb\u0101m un br\u012bv\u012bbu m\u012bl\u0113t. Meln\u0101 unisex d\u017eempera kapuce gaisina dzimumu lomas, tom\u0113r m\u0113s \u0101tri nosak\u0101m varo\u0146u identit\u0101tes, balstoties pa\u0161i savos uzskatos. Dz\u012bv\u0113 p\u0113c Covid<\/em> m\u0113s b\u016bsim izsl\u0101pu\u0161i p\u0113c cilv\u0113ciska piesk\u0101riena, fiziskas tuv\u012bbas un intimit\u0101tes bez tehnolo\u0123ijas starpniec\u012bbas.<\/p>\n\n\n\n

Brams van Deiks<\/strong> (Francija\/N\u012bderlande), Protesti Par\u012bz\u0113<\/em><\/p>\n\n\n\n

Dokument\u0101lo fotogr\u0101fiju s\u0113rij\u0101 redzami autora iespaidi da\u017e\u0101dos protestos Par\u012bz\u0113. Autoru iedvesmojis tas, k\u0101 laik\u0101, kad esam tik sa\u0161\u0137elti, \u0161\u012bs protest\u0113jo\u0161\u0101s cilv\u0113ku grupas sp\u0113j san\u0101kt kop\u0101, lai paustu savu tic\u012bbu un ideolo\u0123iju. No paaugstin\u0101tiem nodok\u013ciem l\u012bdz Black Lives Matter<\/em> kust\u012bbai \u2014 tik da\u017e\u0101di ir pieredz\u0113to protestu iemesli.<\/p>\n\n\n\n

P\u0113teris \u0136imsis <\/strong>(Latvija), Liela veiksme<\/em><\/p>\n\n\n\n

Projekts metaforiski ataino pa\u0161reiz\u0113jo situ\u0101ciju. Automa\u0161\u012bna simboliz\u0113 kust\u012bbu uz priek\u0161u, bet milz\u012bgais putna izk\u0101rn\u012bjums uz t\u0101s da\u017e\u0101d\u0101s kult\u016br\u0101s tiek uztverts at\u0161\u0137ir\u012bgi \u2014 k\u0101dam nes veiksmi, bet citam t\u0101 ir slikta z\u012bme. Attieksme pret notieko\u0161o ir  individu\u0101la.<\/p>\n\n\n\n

Jana Garvnlieva<\/strong> (Zieme\u013cma\u0137edonija\/It\u0101lija), Cilv\u0113ki ir dz\u012bvnieki, dz\u012bvnieki ir cilv\u0113ki<\/em><\/p>\n\n\n\n

Projekts attiecas uz me\u017eu izcir\u0161anas un klimata p\u0101rmai\u0146u negat\u012bvaj\u0101m sek\u0101m. Autore att\u0113lo, k\u0101 cilv\u0113ku popul\u0101cijas past\u0101v\u012bg\u0101 pieauguma d\u0113\u013c cie\u0161 dz\u012bvnieku biotopi. Cilv\u0113ku r\u012bc\u012bbas rezult\u0101t\u0101 ir zudu\u0161as vair\u0101kas dz\u012bvnieku sugas, klimata kr\u012bzes rezult\u0101t\u0101 ir apdraudz\u0113tas to dabisk\u0101s m\u0101jvietas. Savva\u013cas dz\u012bvnieku sirre\u0101l\u0101 atgrie\u0161an\u0101s pils\u0113t\u0101 sniedz mums iesp\u0113ju m\u0101c\u012bties, apzin\u0101ties, rast atbildes un r\u012bkoties.<\/p>\n\n\n\n

Elv\u012bra Blumfelde<\/strong> (Latvija), Es n\u0101k\u0161u r\u012bt<\/em><\/p>\n\n\n\n

Projekts ir interpret\u0101cija par Taro k\u0101rt\u012bm, ko autore ikdien\u0101 izmanto, lai pal\u012bdz\u0113tu sev un tuviniekiem nomierin\u0101t pr\u0101tu, atbr\u012bvoties no satrauco\u0161\u0101m dom\u0101m. Parasti uz \u0161\u012bm k\u0101rt\u012bm redzami skaisti, kr\u0101\u0161\u0146i t\u0113li un ainas, bet fotogr\u0101fiju s\u0113rij\u0101 da\u017e\u0101dos k\u0101r\u0161u v\u0113st\u012bjumus att\u0113lo pa\u0161portreti.<\/p>\n\n\n\n

Sergejs Stroite\u013cevs<\/strong> (Krievija), Iek\u0161\u0113jais ka\u0137is<\/em><\/p>\n\n\n\n

Autors reflekt\u0113 par to, k\u0101 m\u0101c\u012bties no ka\u0137iem saglab\u0101t mieru kr\u012bzes situ\u0101cij\u0101. Ka\u0137i var ietekm\u0113t savu saimnieku person\u012bbu, cilv\u0113ki un vi\u0146u m\u012blu\u013ci maina cits citu. Laik\u0101, kad cilv\u0113kiem bija arvien vair\u0101k j\u0101paliek sav\u0101s m\u0101j\u0101s, \u0161\u012bs attiec\u012bbas k\u013cuva v\u0113l sp\u0113c\u012bg\u0101kas. <\/p>\n\n\n\n

Let\u012bcija Zika<\/strong> (Brazilija\/Francija), P\u0101rtraukts<\/em><\/p>\n\n\n\n

Fotogr\u0101fiju s\u0113rija st\u0101sta par autores \u0137ermeni, t\u0101 kl\u0101tb\u016btni telp\u0101. Tas ir br\u012bdis, kad laiks apst\u0101jas un ir tik mier\u012bgi. N\u0101kotne ir p\u0101rtraukta.<\/p>\n\n\n\n

Anna Niskanena<\/strong> (Somija), Tum\u0161\u0101ks laiks<\/em><\/p>\n\n\n\n

Fotogr\u0101fijas uz\u0146emtas 2020. gada s\u0101kum\u0101 Austr\u0101lij\u0101 \u2014 tie ir klusuma pilni mirk\u013ci p\u0113c posto\u0161\u0101 ugunsgr\u0113ka. \u0160ajos darbos tradicion\u0101l\u0101s tipogr\u0101fijas un fotogr\u0101fijas metodes ir asimil\u0113tas ar dabiskiem nospiedumiem. Organisk\u0101s formas un materi\u0101li veido \u012bpa\u0161u noska\u0146u, kas atkl\u0101j paties\u012bbu par dabu un klimata probl\u0113m\u0101m.<\/p>\n\n\n

Autori, kuru darbi tika pievienoti v\u0113l\u0101k – El\u012bna Semane<\/strong> & Evija \u0100brama, Viktorija Paegle, Paula Anteni\u0161\u0137e<\/strong>.<\/p>\n\n\n

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